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All of these uses of anime continue today. On the civilian side, educational films were made for children and advertising pieces were animated for commercial companies. As the military began gearing up for war, many animators turned their hands to propaganda. Promotional videos made and paid for by the government flourished. Studios had to get more creative in finding sources of funding. (Feminism was not a big concern in animation at the time.) Hot on its heels in 1934 came Masaoka‘s Chagama Ondo (The Dance of the Chagamas), the first anime made entirely with cels.Īnimating with cels – characters and moving elements painted on transparent sheets of celluloid layered over each other and a background – was a vast improvement over chalk and paper cutouts, but it was a much bigger expense.
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Titled Chikara to Onna no Yo no Naka (Within the World of Power and Women), it was a rather salacious story about a man having an affair with his secretary after growing tired of his domineering wife. He debuted the first anime with synced, pre-recorded voices (a “talkie”) in 1933 after a year of production. In the 1930s, another pioneer rose to prominence: Kenzo Masaoka. It’s difficult to make money with anime, and the Great Kanto Earthquake wiping out the Kitayama building so soon after establishment didn’t help.ĭespite difficulties with destroyed studios, low funding, and the laborious cut-out process, anime continued. Neither studio survived the decade, unfortunately. Kouchi followed his footsteps and founded his own animation studio, Sumikazu, in 1923. In 1921, Kitayama left Nikkatsu, the company he had been working for, to found the very first anime studio, Kitayama Eiga Seisakujo. The films of 1917 were made for existing film companies. It’s a line-up you could find in just about any year of the last decade. They told funny stories about samurai, brought Japanese folk tales to life, and promoted the Japanese mail system. The films were silent, but probably accompanied by live music and certainly accompanied by “benshi,” storytellers who stood by the screen and narrated the film for the audience.īut while the films looked different, the content would be familiar to anyone who watches anime today. This technique was quickly succeeded by the slightly less labor-intensive process of using paper cutouts - essentially 2D stop-motion animation. The earliest films were made with chalk on a board, erasing and re-drawing the lines in-between camera takes. The runtimes were exceedingly short, usually in the five-minute range, and they did not use transparent cels or color. The films they made did not look like the anime being made today.
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Hired by existing film studios and working with very small crews, these three men were responsible for the remarkable output that first year and have been nicknamed “the fathers of anime.” Manga artists Oten Shimokawa and Junichi Kouchi and painter Seitaro Kitayama were fascinated by this new medium. The first Japanese animated film we know for certain was commercially released was Dekobo Shingacho - Meian no Shippai (Dekobo’s New Picture Book - Failure of a Great Plan) in February of 1917 - but 1917 saw the release of nearly twenty short animated films in Japan! It was the midst of World War 1 and animation was a new curiosity. On the left is one of the first animes, and on the right is legendary artist Shimokawa Oten. The nitrocellulose early films were printed on was extremely flimsy and incredibly flammable – not exactly a good recipe for preservation. What survived that practice was largely lost with the destruction of many film studios and theaters in the Great Kanto Earthquake in 1923, destroyed in the bombings of World War 2, or simply disintegrated over time. The uncertainty comes from the fact that most early Japanese films were dismantled after the reels were finished.
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The first animated film released in Japan, and therefore the first anime, was probably released in late 1916 or very early ‘17 by Shimokawa Oten, made with chalk, and less than five minutes long. How did anime come to be regarded as special and grow into the stylized medium we know and love today? The answer stretches back to just over a century ago. Why the distinction? Isn’t animation just a bunch of moving drawings no matter which country you draw them in? We don’t have a specific, well-known word for animation from any other part of the world. In Japan, the word refers to any kind of animation at all, but the rest of the world has adopted it to mean animation specifically from Japan. "Anime." Depending on who you are, the word can conjure up images of exciting adventures, stylized art, or your teenage daughter talking excitedly about her current obsession. Written by: Right Stuf Anime The History of Anime